21 December 2011

RENA - Awanuia's Story

Here at Voyager Maritime Museum we have over 180 volunteers who provide their services and talents during their free time. Volunteers help bring our Museum to life by running guided tours, operating all of our heritage vessels, undertaking maintenance on vessels both on and off the water and assisting in the Museum's library.

Many of these generous people have full time jobs whilst also volunteering at Voyager and many have amazing experiences to share with us. One such story is from Captain John Briand, who at Voyager is a volunteer Master aboard Ted Ashby, the Museum's harbour sailing vessel. We'd like to thank John for sharing his recent experience of working to salvage the reef-striken container ship RENA.


October 5th 2011 will go down as a dark day in New Zealand’s maritime history. History was made at 2.20am, when the Container vessel ‘RENA’ struck the Astrolabe Reef just 12 miles from her destination. If all had gone to plan, by 3.00am, she would have picked up her pilot and headed into Tauranga to exchange containers before continuing her voyage. She struck the reef at 17.5 knots (32.6kph) bringing some 42,000 tonnes of ship and cargo to a complete stop in just over 100 metres. Where she sits now is illustrated below.



As you can see, nearly two thirds of the vessel is hanging over the edge of the mount, subjected to the twice daily rise and fall of the three metre tides, plus gale events giving rise to five metre swells. It is amazing that at the time of writing, the vessel is still holding together.

Despite everything, and the rhetoric that was spouted each day decrying this and that, we should be truly thankful that to date, there has been no loss of life and only one person injured. This was one of the salvors.

These guys were truly the heroes of the operation that saw the removal of some 1200 cubic metres of heavy fuel oil. Their efforts will continue for some time yet, with the transfer of the containers expected to take months. As the photograph taken from the bridge of the bunker tanker ‘AWANUIA’ shows, the starboard (right) side of the RENA is and remains completely submerged.



The last 360 tonnes of fuel oil were contained in a tank below the water. To access this tank, divers have had to construct watertight bulkheads (walls) in passage ways giving access to the tank. This then permitted them to pump the water from the space over the fuel oil tank, and remove a small lid at the top of the tank. Once this was achieved, they were able to lower a pump into the tank. To assist in removing the last of the oil, the salvors resorted to pumping water into the tank, floating the oil to the upper section of the tank. In the photograph above, you can see the floating hose line through which some 1400 cubic metres of oil and seawater has been transferred. Lubricating and diesel oil plus other waste has also passed through this line into the AWANUIA’s slop tank.

In the photograph titled ‘All go on the RENA’, you can see the foredeck of the bunker tanker ‘AWANUIA’, the rig supply vessel ‘GO CANOPUS’, and the salver’s helicopter hovering over the stricken vessel ‘RENA’. If the stern of the ‘RENA’ does come detached, then the ‘GO CANOPUS’ will try to tow the section to shallow water before it sinks.


All go on the RENA

For ‘AWANUIA’, the next stage was for her to proceed to Marsden Point where she discharged all the entrained water and fuel oil to shore tanks. The fuel oil will be reprocessed, and find its way back onboard another ship as bunker fuel.

‘AWANUIA’ then loaded clean fuel oil on the 18th November and resumed her normal duties delivering gas oil and fuel oil to the many passenger and container ships visiting Auckland over the busy summer months. So if you see a smart looking blue vessel gracing our waterfront, give her some thought to her role in preventing this disaster becoming even bigger. She has spent nearly eight weeks hanging off those mooring lines astern of ‘RENA” patiently loading at rates as low as 2.5 tonnes per hour.



This photo shows the single line through which all the oil has been transferred. It is designed as a ‘quick break’ unit, and allows instant disconnection, even if the pump is still running.

You will note that I refer to ‘AWANUIA’ as a bunker tanker, not a bunker barge. There is a difference, and we, the Managers at PB Sea-Tow Ltd, are proud of that difference as she is a fully fledged ship in every way; in her classification, her functionality and her looks.



Written by Captain John P Briand. Deputy DPA for AWANUIA. 07/12/11

05 September 2011

Shipbreak - Our newest exhibition



On Thursday 1 September 2011 Voyager's Exhibition Team unveiled the latest exhibition in our Edmiston Gallery of Maritime Art. Until 31 January 2012 we will have on display 'Shipbreak: A Biology of Steel'.

This photographic exhibition was created by Claudio Cambon, who has been a documentary photographer for more than 20 years, and has photographed all over the world including in Italy and Germany, the American West, Mexico and Bangladesh, where he documented this exhibition. Claudio has exhibited, lectured and been published and collected internationally; this summer his work forms part of the Italy Pavilion at the 2011 Venice Biennale.

'Shipbreak' charts the last days of the American-flag oil tanker SS Minole, as it was beached in the breaking yards of Chittagong, Bangladesh, in January 1998. This signaled the end of long, productive life wandering the oceans for its American sailors. But for the Bangladeshi shipbreakers, who over the course of the next five months dismantled the vessel more or less by hand, it signified instead a new beginning. The remains of this ship provided many materials necessary to their country’s struggle to create a modern existence for itself.

The photographs in this exhibition give a record of the transformation of this process and they ultimately serve as a meditation on how life possesses us more than we do it, and how it mysteriously changes shape from one beautiful form to another.

We hope you enjoy seeing these haunting and stunning images whilst they are on display at Voyager.

08 April 2011

Voyager Brand wins International Design Award

An example of the Voyager brand in use.

Following on from the Voyager Maritime Museum rebrand in 2009, Geoff Suvalko, who was the creative force behind the development of the Museum’s Voyager brand, entered the Maritime Museum’s rebranding project into the Design Week Awards 2011. On March 8th, in London the Museum’s Voyager brand was announced as the winner of the Identity Programmes category for the Design Week Awards 2011. As the winner of the category of Identity Programmes, Voyager beat the likes of Science Museum, Museum of London, Euro 2012 for UEFA, Puma, and Sony Music.

We find ourselves in great company along with other winners which include Victoria & Albert Museum, Sky Couch by Air New Zealand, Apple iPad, Dell, WWF, Royal Mail Group, British Airways, and Nike.

Design Week is the UK's leading Design publication with a readership of over 35,000 design professionals across the world. For over 20 years, Design Week has been reporting on every aspect of the design industry - breaking news, uncovering the big stories and showcasing the best new international work.

European Landfalls Gallery opening soon

Sneak peek at a part of European Landfalls

We are getting very excited at Voyager Maritime Museum about the re-opening of the European Landfalls Gallery to the public on Tuesday 19th April.


Our Collections and Exhibitions team have been hard at work over the past few months redeveloping this exhibition that tells the story of the great journeys of some of Europe’s most notable explorers. You can discover the stories of Tasman, Cook and De Surville as they sailed around the world to in search of the fabled ‘Great South Land’.


It is thanks to a generous Grant from NZ Lottery Grants board and a bequest from Mike Montague (a long serving Museum volunteer) as well as generous donation from Hanes family that this redevelopment has taken place.


Exhibitions and Collections Manager Karolina Spaseska-Markosva says “This gallery covers the great stories of what motivated European Explorers to travel to far off New Zealand. These European journeys, and consequential settlements, have contributed greatly to the way our country is shaped, so we are thrilled to be able to these important stories.”

Here at Voyager, we are so excited to show you this new space that we thought you might like a sneak peek!

Another little sneak peek!
Don’t forget to come on down from 19 April onwards to re-discover and explore these great tales in the European Landfalls Gallery.

Jane Gifford in Auckland

Jane Gifford (Left) and Ted Ashby setting sail on the Waitemata Harbour.
Photo by Stuart Birnie.

On 9th March, the restored Scow “Jane Gifford” was escorted into the Maritime Museum’s Marina by the mighty Scow Ted Ashby and Brigantine ‘Breeze’. This was a sight to behold, as it was the first time in 70 years that 2 scows were seen sailing on Waitemata Harbour. Built in 1908, Jane Gifford is the country’s last remaining original rigged sailing scow. Over $700,000 had been spent on her restoration by the launch date on 16th May 2009, on her 101st Anniversary. The Jane Gifford is based in Warkworth and has undergone two rebuilds in her long hard working life. Jane Gifford did a charter sailing for stakeholders on 10 March, and then the public were invited to step aboard and see her restoration close up.

It was very exciting to see Jane Gifford, Ted Ashby and Breeze setting sail in the Harbour on such a beautiful sunny Auckland day.

20 October 2010

Blue Water Black Magic wins architecture award


On Thursday 14 October the team at Voyager were delighted to accept an award at the New Zealand Institute of Architecture's Local Awards. Thanks to the wonderful work of Pete Bossley and his talented team at Pete Bossley Architects, Voyager's exhibition 'Blue Water Black Magic - A Tribute to Sir Peter Blake' won a local
award in the Public Architecture category.

Alastair Aitken, the Chairman of the museum's Trust Board (seen on the right with Pete Bossley), accepted the award on the night, and we think it's testament to the great work of Pete and his team.

Blue Water Black Magic is equivalent to almost one third of the entire museum so clearly we had to get it right, and we think that this award shows that Bossley's stunning design was right on the money.

The award night itself was great fun, being held in the stunning venue St-Matthews-in-the-City. We've uploaded a selection of pics from the night on our Facebook page as well as our Flickr channel.

We were honoured to join four other Auckland award winners in the Public Architecture category:
  • Auckland Girls Grammar School - Art and Mathematics Classroom Block
  • Birkenhead Library and Civic Centre
  • Diocesan Aquatic Centre
  • Newmarket Railway Station Redevelopment
The next stage involves all the local winners being considered by a judging panel for the national short list, which means they go into the running to win the overall New Zealand Architecture Award for their respective category . So we're keeping our fingers crossed!

11 October 2010

Children of Tangaroa is open and we love it!



Voyager's newest exhibition, Children of Tangaroa - Marine Mammals of Aotearoa, has been open for three weeks and it's gone through some serious testing with thousands of visitors seeing it during the recent school holidays.

We're delighted that our visitors love the exhibition as much as we do, and so we'd like to take a moment to thank some people who made it possible.

The feedback from our visitors has been really positive; they've told us that they love the atmospheric, underwater feel of the
exhibition, the big and beautiful projections of whales and dolphins and the awesome sounding Maori myths and legends.

Our sincerest thanks go to the exhibition designers Jessica Barter and Maggie Carol from Bureaux. They worked tirelessly to help us achieve our vision of an engaging and innovative exhibition. Also we would like to thank Mike Dean from Dark Room Motion Graphics Studio, Mike Hodgson from The Dub Module and Warwick Bell from Fabric Structure Systems and their teams who brought this wonderful exhibition to life.

We would like to express our great appreciation to Nic Fay from Traction Films for his tireless work. Nik is responsible for installing the audio visual systems and computer programming that has produced the amazing atmosphere and ambience inside the exhibition. Also many thanks to Tainui Tukiwaho, who generously donated his time to expertly narrate the Maori myths and legends heard inside the exhibition.

Also thanks to all the other supporters including:
  • Liz Gordon, our long standing volunteer, who gave her time to design the exhibition object labels.
  • Kovi Mongelli from Souled Out Records who recorded Tainui's narration in his own studio.
  • Julie Holmes for providing the use of her wonderful Maui's dolphin animation.
  • Suzanne McFadden for her research and writing of the exhibition text and editing of Maori stories.
  • Dr. Liz Slooten -Department of Zoology, University of Otago for supplying images and video of Hector's dolphins. Liz is one of the founders of the New Zealand Whale and Dolphin Trust.
  • Barbara Todd for use of her wonderful images and educational resource pack.
  • Robert Torelli from Marine Boy Productions who provided the gorgeous underwater whale footage.
Our sincerest thanks go out to all these passionate, generous and talented people who helped make the exhibition happen. There were many other contributors who helped, they are all credited inside the exhibition. If you haven't seen it yet check out the images on the Voyager Facebook page or Flickr stream, or even better come and visit the museum and see it in real life!